Giovanni Battista Tiepolo
Italian Rococo Era Painter, 1696-1770 Giovanni Battista Tiepolo was born in Venice on March 5, 1696. His father, who was part owner of a ship, died when Tiepolo was scarcely a year old, but the family was left in comfortable circumstances. As a youth, he was apprenticed to Gregorio Lazzarini, a mediocre but fashionable painter known for his elaborately theatrical, rather grandiose compositions. Tiepolo soon evolved a more spirited style of his own. By the time he was 20, he had exhibited his work independently, and won plaudits, at an exhibition held at the church of S. Rocco. The next year he became a member of the Fraglia, or painters guild. In 1719 he married Cecilia Guardi, whose brother Francesco was to become famous as a painter of the Venetian scene. They had nine children, among them Giovanni Domenico and Lorenzo Baldassare, who were also painters. In the 1720s Tiepolo carried out many large-scale commissions on the northern Italian mainland. Of these the most important is the cycle of Old Testament scenes done for the patriarch of Aquileia, Daniele Dolfin, in the new Archbishop Palace at Udine. Here Tiepolo abandoned the dark hues that had characterized his early style and turned instead to the bright, sparkling colors that were to make him famous.

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Giovanni Battista Tiepolo Die Aussetzung des kleinen Moses in einem Binsenkorb im Wasser, Fragment, oil painting


Die Aussetzung des kleinen Moses in einem Binsenkorb im Wasser, Fragment,
c. 1740 Medium oil on canvas cjr
Painting ID::  93686
Giovanni Battista Tiepolo
Die Aussetzung des kleinen Moses in einem Binsenkorb im Wasser, Fragment,
c. 1740 Medium oil on canvas cjr
   
   
     

Giovanni Battista Tiepolo Triunfo das Artes oil painting


Triunfo das Artes
from 1729(1729) until 1730(1730) Medium oil on panel Dimensions 55.5 X 72 cm cyf
Painting ID::  96637
Giovanni Battista Tiepolo
Triunfo das Artes
from 1729(1729) until 1730(1730) Medium oil on panel Dimensions 55.5 X 72 cm cyf
   
   
     

Giovanni Battista Tiepolo The Sacrifice of Iphigenia oil painting


The Sacrifice of Iphigenia
? X ? cm Date ? Medium oil on canvas cyf
Painting ID::  97064
Giovanni Battista Tiepolo
The Sacrifice of Iphigenia
? X ? cm Date ? Medium oil on canvas cyf
   
   
     

Giovanni Battista Tiepolo Susanna und die beiden Alten oil painting


Susanna und die beiden Alten
1722-1723 Medium oil on canvas Dimensions 56 X 43 cm cyf
Painting ID::  97358
Giovanni Battista Tiepolo
Susanna und die beiden Alten
1722-1723 Medium oil on canvas Dimensions 56 X 43 cm cyf
   
   
     

Giovanni Battista Tiepolo Boy Holding a Book oil painting


Boy Holding a Book
oil on canvas, New Orleans Museum of Art Date c. 1747-50 cyf
Painting ID::  97864
Giovanni Battista Tiepolo
Boy Holding a Book
oil on canvas, New Orleans Museum of Art Date c. 1747-50 cyf
   
   
     

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     Giovanni Battista Tiepolo
     Italian Rococo Era Painter, 1696-1770 Giovanni Battista Tiepolo was born in Venice on March 5, 1696. His father, who was part owner of a ship, died when Tiepolo was scarcely a year old, but the family was left in comfortable circumstances. As a youth, he was apprenticed to Gregorio Lazzarini, a mediocre but fashionable painter known for his elaborately theatrical, rather grandiose compositions. Tiepolo soon evolved a more spirited style of his own. By the time he was 20, he had exhibited his work independently, and won plaudits, at an exhibition held at the church of S. Rocco. The next year he became a member of the Fraglia, or painters guild. In 1719 he married Cecilia Guardi, whose brother Francesco was to become famous as a painter of the Venetian scene. They had nine children, among them Giovanni Domenico and Lorenzo Baldassare, who were also painters. In the 1720s Tiepolo carried out many large-scale commissions on the northern Italian mainland. Of these the most important is the cycle of Old Testament scenes done for the patriarch of Aquileia, Daniele Dolfin, in the new Archbishop Palace at Udine. Here Tiepolo abandoned the dark hues that had characterized his early style and turned instead to the bright, sparkling colors that were to make him famous.

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